1. Conferences and debates

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Mémoire et actualité de l'art en Mauritanie Play

Mémoire et actualité de l'art en Mauritanie

Published at 05 02,,, 22 2022
À l'occasion de l'ouverture de l'exposition "Mémoires en mouvement. Art contemporain de Mauritanie", nous organisons cette table ronde avec quatre des artistes participant à l'exposition. Malgré la proximité géographique et les liens historiques et culturels étroits entre l'Espagne et la Mauritanie, la réalité de ce pays, qui appartient à la fois à la sphère culturelle arabe et africaine, est peu connue en Espagne et en Europe. Les possibilités de connaître le travail des artistes de ce pays sahélien ont également été très limitées. Pour combler ce manque de connaissances, Casa Árabe et Casa África organisent conjointement l'exposition "Mémoires en mouvement", qui présente les œuvres de onze artistes dans les domaines de l'huile, de la photographie, de la sculpture et de l'installation. Nous accompagnerons l'ouverture d'une table ronde au cours de laquelle nous analyserons le rôle des artistes et des producteurs culturels en Mauritanie et discuterons de questions transversales pour les créateurs de la région, telles que : quels sont les problèmes les plus importants affectant les institutions culturelles et les artistes ? Comment le pays réagit-il à l'intérêt apparemment croissant pour la création en dehors du contexte de l'Atlantique Nord ? Comment les changements technologiques et la connexion mondiale sont-ils déterminants pour la communauté des artistes en Mauritanie ? Comment les artistes et les producteurs culturels se rattachent-ils à la tradition et à la mémoire de leurs cultures ? parmi d'autres questions. La conversation fut menée par la commissaire de l'exposition, Aicha Janeiro, avec la participation des quatre artistes présents à Madrid pour le vernissage de l'exposition : Oumar Ball, créateur d'un univers animal et végétal fantastique à travers des métaux recyclés qui lui vaut le premier prix de la Biennale de sculpture de Ouagadougou (Burkina Faso) en 2021 ; Malika Diagana, photographe d'origine sénégalaise qui explore depuis deux ans le " Silence de l'humanité " dans son projet photographique en noir et blanc ; Béchir Malum, une artiste du Liberia dont le travail s'inspire des vicissitudes de la condition humaine, de l'impact du changement climatique et des processus migratoires ; et Amy Sow, une artiste multidisciplinaire et "artiviste" qui, par le biais du centre culturel qu'elle a créé, "Arte Gallé", promeut une multitude d'initiatives communautaires visant à sensibiliser, entre autres, à la lutte contre la violence envers les femmes. Photo: Daouda Corera, de sa série "Everyday Nouakchott" Plus d'infos (en Anglais): https://en.casaarabe.es/event/memory-and-the-current-state-of-art-in-mauritania

ALL VIDEOS IN THIS CATEGORY

  • Baghdad and Samarra: Imperial capitals of the Abbasid CaliphateShow video

    Baghdad and Samarra: Imperial capitals of the Abbasid Caliphate

    After the founding of the Abbasid Caliphate in 750, a new capital became necessary: Baghdad (762), near the Sassanid city of Ctesifonte. This city is extensively described in texts, but nothing from the original city has been preserved. The earliest monuments preserved date back to the thirteenth century, including the Madrasa Mustansiriyya and other similar buildings. Its initial layout was based on a circular design of the governmental city, an innovation for the era, surrounded by large unfortified suburbs. Though we know little about early Baghdad’s architecture and urban planning, it can be understood through the well-preserved vestiges of the second Abbasid capital: Samarra (836-892). The ruins there maintain practically the full city layout, the arrangement of which can be seen, as can the wonderful architecture of the Al-Mutawakkil Mosque, with its famous spiral minaret. Today, these remains have suffered the effects of war and economic development, but a good portion of the site in Samarra endures.
    Published at 33 29,,, 16 2016
  • Fez, a historical capital in northern Morocco (in French)Show video

    Fez, a historical capital in northern Morocco (in French)

    In the late eighth century, Idris bin Abd Allah created Madinat Fas, on the right bank of a river bearing the same name. At the beginning of the ninth century, his son strengthened this city as the capital of the Idrisid dynasty, creating another town on the left bank of the river (809). For two centuries, Fez preserved both centers of population, one facing the other in constant rivalry. In the late eleventh century, the Almoravid emir, Yusuf ben Tashufin, did away with this duality, uniting both areas behind one single city wall and building a citadel at the top. Years later, the Almohads besieged Fez for a long period of time, until in 1145 they managed to enter it, harshly punishing the city, then destroying its citadel and walls, which the Almohad caliph al-Nasir would have rebuilt in 1212. In the middle of the same century, the Merinid dynasty conquered Fez, making it their capital city while creating a new duality by founding the “new Fez,” Fez Al-Jadid, an area dedicated mainly to the court and government, whereas the old Fez concentrated on handicrafts and trade. Today Fez is a lively city of great importance in religious and cultural affairs. It is the third largest city in Morocco and one of those most visited by tourists. It is a UN World Heritage site with a rich historical past forced to live side-by-side with its intense modern life.
    Published at 32 29,,, 16 2016
  • Challenges posed by transitions in authoritarian Arab regimesShow video

    Challenges posed by transitions in authoritarian Arab regimes

    The authoritarian regimes in Arab countries have responded to the pressures for transformation and coping with challenges in different ways. Some have failed in their management of this transition, leading to armed conflicts or the state’s collapse, while others have simply reproduced an authoritarian form of power, as stable as it is fragile. What exactly has determined the way each responds, the paths they have taken and the outcomes in each specific case? Can the “end of the rentier state model” provide a useful framework for understanding the crisis in many Arab states and their options for the future?
    Published at 31 29,,, 16 2016
  • Fighting for children’s rights in Mauritania (In French)Show video

    Fighting for children’s rights in Mauritania (In French)

    With a population of approximately 3 million people, Mauritania is ranked amongst the most impoverished countries in the world according to the Human Development Index. Of its inhabitants, 42% live below the poverty line, and minors under the age of 18 account for 46% of the population. Girls and boys live in a state of vulnerability that compromises their future and fails to provide them with the opportunities they deserve, finding themselves forced from a very early age to contribute to the family economy, leaving school and becoming exposed to dangers such as labor exploitation, sexual abuse and forced marriages.
    Published at 31 29,,, 16 2016
  • Islamic Cairo and Fustat: From Arab conquest to the French expedition (in French)Show video

    Islamic Cairo and Fustat: From Arab conquest to the French expedition (in French)

    Stephane Pradines, a professor from the Aga Khan University in the United Kingdom, gave this conference at the Casa Árabe headquarters in Madrid. While the history of Cairo has been well-known in Arab and Latin sources, the archeology of Cairo has remained practically terra incognita. We have no archeological evidence form the Abbasid cities of al-Askar and al-Qatai, and our knowledge about the urbanization and layout planning of the Fatimid city has essentially been handed down to us by historians on the basis of the writings of Maqrizi. If to this we add a theoretical model developed by historians, we end up with a biased archeological viewpoint of the city, limited to just the excavations in the ancient city of Misr-Fustat. Therefore, the excavations by the Aga Khan Trust for Culture and the French Institute of Archeology have provided an incipient, innovative body of knowledge on medieval Cairo that may be destroyed at any time by modern construction and corrupt businessmen.
    Published at 37 20,,, 16 2016