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Arabic Calligraphy, placed on UNESCO’s Intangible World Heritage List

“Arabic Calligraphy: Knowledge, skills and practices” has been included on the Representative List of World Intangible Cultural Heritage, which this United Nations agency has re-evaluated every year since 2008.

December 16, 2021
Algeria, Bahrain, Egypt, Iraq, Jordan, Kuwait, Lebanon, Mauritania, Morocco, Oman, Palestine, Saudi Arabia, Sudan, Tunisia, the United Arab Emirates and Yemen are behind this joint candidacy, which was among 46 in all submitted this year by the 180 States party to the 2003 Convention for the Safeguarding of World Intangible Cultural Heritage.

In order to determine which new practices and forms of living expression inherited from our ancestors are to form part of this list, the sixteenth session of the Intergovernmental Committee for the Safeguarding of World Intangible Cultural Heritage (16COM) is now being held. The other notable candidacies from Arab countries include: “Al-Naoor”, traditional waterwheel production techniques from Iraq, the Arab-Amazight equestrian show known as the “Tbourida” (Morocco) and “Al-Qudoud al-Halabiya,” a traditional genre of music from Aleppo, Syria.

Arabic calligraphy is the art of flowingly transcribing the alphabet of the Arabic language into print, thus instilling the writing with harmony, elegance and beauty. Passed down through formal and informal teaching, this cultural practice uses the twenty-eight letters of the Arabic alphabet to write in cursive from right to left. In its beginnings, this calligraphy was designed to make texts clearer and more legible, but it later evolved into a veritable Islamic Arab art for writing classical and modern works. The flow of Arabic calligraphy creates a countless number of possibilities, even in writing one single word, since the letters can be stretched and transformed in many ways to embody different motifs. In traditional calligraphy, natural materials are used: the calligraphic pen (“qalam”) is made from cane and bamboo stalks; the ink is made from a mixture of honey, carbon black and saffron, and the paper is made by hand, then treated with starch, egg white and alum stone. Synthetic markers and paints are often used in modern calligraphy, as are sprays for writing on fences, boards and the walls of buildings. Craftsmen and designers also use Arabic calligraphy to produce artistic ornamentation on marble, wood carvings, fabric embroidery and metal engravings. This calligraphic art is widespread both inside and outside of Arab countries, and it is practiced by men and women of all ages. The techniques used in the art are handed down informally through apprenticeship systems and at formal centers of learning.

You can find all of the information on this candidacy here.