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Index / Activities / Films / Retrospective: Focus on Rosalind Nashashibi
Retrospective: Focus on Rosalind Nashashibi
November 20, 20257:30 p.m.
CORDOBA
Casa Árabe Auditorium (at Calle Samuel de los Santos Gener, 9).
7:30 p.m.
Free entry until the event’s capacity is reached.
Films shown in the original language version with subtitles in Spanish. Colloquium in Spanish.
We are continuing to hold the sessions in our Palestinian Film Festival in Cordoba. On Thursday, November 20, we will spend a day devoted to director Rosalind Nashashibi. After the film screenings, there will be a colloquium moderated by Sergio de Benito. Don’t miss out on this opportunity.
Electrical Gaza (Rosalind Nashashibi, 2015, 17’53”)
This film recreates Gaza as an enchanted place behind sealed borders, defined by danger and division, yet brimming with beauty and life. Shot before the Israeli assault on the area in 2014, it shows scenes from the region in which, for once, violence is not the main focal point. Her camera revels in everyday life there: children playing in an alleyway, horses bathing in the scorching blue waters of the Mediterranean, and men preparing falafel while singing together in a living room.
Dahiet Al Bareed (Post Office District) (Rosalind Nashashibi, 2002, 7 minutes).
During one slow, hot afternoon in a neighborhood built to become a utopian suburb for employees of the Palestinian Post Office, we see a place that has become a lawless no-man’s-land lying between occupied East Jerusalem and Ramallah.
This film recreates Gaza as an enchanted place behind sealed borders, defined by danger and division, yet brimming with beauty and life. Shot before the Israeli assault on the area in 2014, it shows scenes from the region in which, for once, violence is not the main focal point. Her camera revels in everyday life there: children playing in an alleyway, horses bathing in the scorching blue waters of the Mediterranean, and men preparing falafel while singing together in a living room.
Dahiet Al Bareed (Post Office District) (Rosalind Nashashibi, 2002, 7 minutes).
During one slow, hot afternoon in a neighborhood built to become a utopian suburb for employees of the Palestinian Post Office, we see a place that has become a lawless no-man’s-land lying between occupied East Jerusalem and Ramallah.

